(Cueup: “Bark at the Moon” by Ozzy Osbourne)
(Fade in on what appears to be a sizable home library, with several tall bookshelves adorning the walls and an especially large one in the back of the room, a table in the center a high-backed chair with accompanying reading table sitting near a corner. In the chair sits Copycat, clad in jeans and a black Anthology T-shirt with his hair tied back. He’s holding a book, but the camera is too far away from him to be able to make out the cover)
Copycat: You can never be sure whether it’s a poorly filmed real book or just a blank cover for effect.
(Copycat chucks the book off to the side and looks up at the camera)
Copycat: If there’s any word that defines Aggression 49, it’s audacity. For all her efforts to destroy Anthology, I never thought Lindsay Troy would have the audacity to try to fire all of us; I figured she knew, for all her claims to the contrary, that we’re the ones bringing the money to EPW. Then, for all our efforts to bring an end to Troy’s reign of terror, I never thought she’d have the audacity to actually storm out in a cloud of typically feminine overreaction. And then, for all his passive reinforcement of Troy’s terrible management of EPW, I never thought Dan Ryan would have the audacity to fire Larry Tact, for no reason beyond his confronting Troy for labor practices that should have gotten her canned years ago. It took some audacity for GASP to suggest that its bringing Troy Windham into the fold would have the impact of the EPW World Heavyweight Champion joining Anthology, but that’s another matter entirely.
(Copycat stands up from the chair and walks idly toward the table in the center of the room)
Copycat: Thanks to the machinations of the people who run EPW – and I am sorely tempted to tack on the words “into the ground” here – Anthology now has smaller numbers than the pathetic faction of glory whores opposing it. And thanks to said pathetic faction, a once great man, a legend in the wrestling business, has been convinced to take the side of those who would destroy the industry’s future for just a few more precious seconds of sweet, sweet fame. It’s an absolute tragedy. I mean, for me personally, it’s not the end of the world; I could ask EPW to terminate my contract right now, head back to Hollywood and leave this diseased business entirely. Heck, I’d be better off; despite what EPW is paying me, Hollywood pays much better, and the attacks of the paparazzi and this country’s unhealthy celebrity obsession are no more damaging than the attacks I endure in the ring. I’ve said time and time again that I’m putting my livelihood at risk by selflessly returning to this business to try to save it from itself, just as my colleagues in Anthology are putting themselves at risk for standing up for what they believe in, for what wrestling fans deserve.
(Copycat leans against the table)
Copycat: More and more, it’s seeming like the smart thing for me to do would be to abandon this sinking ship before it drags me under. Tell Dan Ryan to let the Firsts and Layne Winterses and Fusenshoffs and Stalkers of the world run roughshod over EPW until it’s nothing but a smoking husk of a wrestling company, a deadly accurate representation of the wasteland this business has become while I go back to acting. As the Smartest Player in the Game, it behooves me to follow the most logical choice – it goes against the principles I’ve set myself for a wrestler, and I’ve had those principles longer than I’ve been going by that nickname, but I don’t want to let this industry’s self-destruction destroy me too. Almost every instinct I have is telling me to make the logical decision and get out while I still can.
(He looks off to the side)
Copycat: Funny thing, though. The more I try to apply logic, the more those without that ability seem to benefit, appealing to the baser senses of those in charge – like Dan Ryan, and Lindsay Troy before him. So here’s what I’m thinking now.
(Copycat abruptly turns around, walks toward the large bookshelf at the back of the room and fells it with a single punch – in the process making it obvious that it and the back wall are just a set piece, and it collapses backward into the room, which is much larger than it originally appeared)
Copycat: Maybe I’m finished being logical.
(He turns around and glares into the camera)
Copycat: There seem to be a lot of people around who aren’t willing to listen to reason. Once, that was entirely to my advantage. But now that ignorance has become the overwhelming preference of everyone in EPW outside of Anthology, that tendency is nothing but frustrating. So maybe it’s time for me to take on a different approach. And that approach starts at Onslaught VII with the Fallen, a group of throwbacks to the brooding monsters I helped destroy almost 10 years ago. Erik Black’s weak references to drug culture aside, Stalker and Omega seem to be entirely fixated on inflicting pain, that old cliché. That’s fitting enough, because that’s precisely what I’m going to do to them come Onslaught – make them an example of what I’m here in EPW to destroy. And I do so love irony.
(Copycat kicks over the table in the center of the room, then leans forward and rests his foot on it)
Copycat: At Onslaught, everyone in EPW – from Dan Ryan all the way to those Heirs of Wrestling chumps who just showed up – is going to find out just what the Cat is capable of when sufficiently motivated. At Onslaught, and at Aggression 50 after it, the Cat is going to make an impact. And I hope everyone looking to bring about the end of Anthology is watching.
(Fade out)