Sorry blatant and tiny Macho Man knock-off, did you say anything?
Or do I have to write "shit" somewhere, to indicate what I think of your character? So that people can know that it is shit? Nope, guess it was obvious from the get-go; "needless to say", as the expression goes.
"Show, don't tell" would be an excellent writing tool for you to use in expressing what is wrong with someone or their literary creation. Since such a concept is obviously beyond you (and, as I was pointing out, the judges as well) that just makes you a writing tool.
See, I'd try to offer any criticism of you whatsoever, but it will never, ever sink in. I could go through your roleplays and pick out every problem, every flaw...
But you are an absolute moron. You cannot take any criticism without flipping out like a spoiled little child, and you're honestly pretty bad at this game overall. I've taken Tom to many, many places aside from just "Macho Man Ripoff", but I have fun with that particular character aspect, so I keep coming back to it.
You, on the other hand, write shallow, onedimensional characters that are so obviously your nearest, dearest children that you cannot hear or see any criticism of them without turning into a giant blubbering little child throwing a tantrum.
In short, you understand the actual mechanics of writing, but you don't understand the point of writing creatively. Also, you suck at e-fedding.
And you probably should figure out how to interact with people in discussion. Logic and calculated reason don't win you internet points or some shit when e-fedding. The judges weren't buying your garbage, they didn't vote for you, and you write some giant wall of text trying to berate them for not giving you exact, specific reasons for why you suck? That's exactly why you suck. Because you don't get human social interaction.
But do you want to know what's wrong with your character? HEre's what's wrong with your character.
He's the Undertaker's nephew.
And that's all he is.
I just read all three of your roleplays against Orphan. You have literally nothing to talk about except the Ultratitle, which you have entered, and the Undertaker. There's no character there. No personality. Your character is obviously just you writing your little character and using that gimmick as your go-to whenever you can't think of something to say. You haven't bothered giving Spooky any kind of supporting cast, any kind of backstory that doesn't directly relate to the Undertaker, any kind of character quirks that aren't "generic wrestling person" or "UNDERTAKER REFERENCES", any kind of side interests or hobbies or anything else.
Now, I could go into great detail about Tom, but the basics of him are "Jim Carrey's character from the Cable Guy if he was obsessed with pro wrestling in specific instead of TV". He loves all wrestling, because he's from a broken home and that was the thing he went to. He has a mentor in his former tag team partner. He has friends in his stablemates, and he desperately hopes that he can try to keep his current wrestling company from turning into an egodriven jerkoff-fest like CZW when Zandig was in charge, IWA-MS with Ian Rotten, the height of Vince's involvement in the WWF when it all was revolving around him. He makes references to all kinds of old wrestling storylines and concepts...
See, that's the kind of thing that Spooky Doom doesn't do. And that's the kind of thing you seem to be incapable of doing. You make a gimmick character and the only things that happen in your promoes as that character are things specific to the gimmick. American Freebear was like that. He was a big flippy hairy guy. And that's all you ever talked about. Spooky Doom is like that. He's the Undertaker's nephew, and that's all you ever talk about.
And that's the problem. You don't bother trying to do more than just your gimmick.
Now, you're not going to internalize any of this, and you're just going to go back to calling Tom a Macho Man ripoff, but here's the thing. I've made literally dozens of characters. I've handled people of every shape and color. John Henry, a modern-day retelling of the "man versus the unstoppable machine" concept. Boston Bancroft, a consummate athlete who is trying to treat wrestling like the business it is, rather than taking everything personally and everything being about blood feuds. Sergei Bogorovich, a Russian MMA-themed kickboxer who fought supernatural things because he was the only man that could. Kengoro Sugamoto, a Japanese bully who was trying to strike it big in the US and escape the cronyism of JApan.
John Henry was supporting his family by wrestling, but taking the weight of the world on his shoulders while he did so. Boston was fighting specifically for his family, to try and make sure his son could grow up and do something more than he could. Serbo was my chance to delve into writing supernatural and modern horror storylines. Kengoro was my chance to explore other cultures and try to have fun with a heel bully who didn't even care about right or wrong, just that he was stronger than everyone else and that made everything okay.
All of my characters have something more going on than just their gimmicks. That's what makes an e-fed character more than a cardboard cutout. To tie this to real-life wrestling, compare modern gimmicks with people from the heyday. Ryback is a muscleman who says feed me more. Mankind is a deranged child prodigy pianist who the world broke over its knee, and used his insanity to try and bring out some of that beautiful nightmare in the people he faced.
You're a boring writer who grasps the fundamental basics of e-fedding, but never goes above and beyond the very most basic parts of this game. And when people try to tell you to do a little more, you rage the hell out and end up getting booted from feds because you whine and whine and whine and whine and you never shut the fuck up.
Fuckin' have a drink and chill out. That's why nobody around here likes you, and why you keep getting run out of places. One of the big pieces of writing advice that lots of people need to understand is when Arthur Quiller-Couch said to "murder your darlings". When you get too overly attached to something, be it a specific line, catchphrase or in this case, character, you stop thinking realistically about them.
You've handled Spooky Doom for too long, and you're too invested in the character. You will never make Spooky Doom better than he is because you're convinced he's perfectly fine the way he is. But all good characters should be constantly growing and becoming more, different, newer. Otherwise, you stagnate.
Like you did. Which is why you lost in Ultratitle.
So either take any of the advice I've been saying here, and either make Spooky Doom be an actually interesting character, or kill him off and try writing something completely new and outside your norm.
(Or come at me, bro. Go ahead and prove my point that you can never take any criticism without raging out.)