A Ray of Hope
Fade in: on a beat up sign reading, "Welcome to Central Park." The shot zooms out to show darkness and dim lighting at the entrance to the park. The cameraman takes a few cautious steps forward, panning around. Nobody is present on the scene, and after panning the steps of the cameraman pick up a bit. The camera suddenly angles downward. The cameraman seems to be holding it in one hand, his other ruffling through a pocket, perhaps. Then the camera pans back up slightly, and we see what the cameraman was digging around for....a small handheld device, difficult to make out in the darkness. It soon becomes clear though....after a latch is fingered up, and the business end of a switchblade shoots out. The cameraman stops walking and can be heard laughing -- a nasal-filled, quiet laugh.
CM: This is it. Nowhere left to go for that b*stard....but six feet under.
The cameraman, clearly not the typical of his field, conceals the blade again and continues walking. The scene cuts out.
When it cuts back in, the shot shows a deeper part of Central Park. On either side of the path, there are some homeless people sitting on the grass. A few lounge around, not yet asleep, and the lucky ones are resting on a bench. Flames from a lighter or two flicker up in the hands of a couple people, but we can't distinguish any features from the poor source of light. None of them lie in the dull beam of lamps. The cameraman takes his time, looking at each person closely before moving onto the next. They look back with a variety of stares or leers, but none advance. The cameraman finally comes upon one person in particular, sitting against a tree with some food wrappers and a paper bag open next to him. He's the only one with decent clothes on; a grey, hooded sweatshirt, navy blue sweatpants, and black combat boots peeking out from the pants. The black ski mask conceals his face once more, with icy blue eyes glaring up, and the faint sight of air coming from the man. The Watcher. The cameraman speaks in a nasally, half-whisper.
CM: Watcher! I'm glad I managed to find you. It's been weeks since anyone has heard from you. It's not like you to just show up to the arena without saying a word. Medina...well, he's been wondering where one of his guys went off to.
Watcher looks at the cameraman, unmoving. Then he blinks and crosses his legs in front of him, sitting up straight against the tree.
Watcher: I've been around. I don't see why anyone should be worried about my location....I've never heard a complaint out of Medina before. He should know I will show up to the arena and take part when I am supposed to.
CM: Yeah well...he's got to keep a tight ship and all. You know how it is. Anyway, I've been sent to get your thoughts on your match for this week against Karl....uh...Brown....
The cameraman stammers a bit, due to Watcher standing up and approaching him. Watcher pushes the camera aside with a hand and begins walking off. The cameraman begins to follow him.
CM: Watcher? Hey, wait a minute...you need to speak about Brown and the match...
The cameraman raises his voice.
CM: Watcher! What do you think you're doing? You owe the public a word on your--
All at once, Watcher turns around and shoves the camera aside, but it's easy to tell he's in the face of the cameraman. His voice is like gravel.
Watcher: I don't need to answer to the public about anyone or anything! Is that clear to you?! I don't have to think about it; I..just..know it. There's nothing I have to speak on, and nobody I need to address! I do what I want.
The cameraman lands on his tailbone with a gasp after being shoved down onto grass by Watcher, who turns away and begins walking. He stops some feet away, though, unmoving. The cameraman takes out the hilt of the switchblade and holds it in hand, getting up with the camera, but Watcher starts to turn back around so the weapon is quickly concealed. Watcher turns around and comes back towards the cameraman, who stands and doesn't move but keeps filming. The other people there look with a degree of interest at what is happening.
Watcher: Fine...I'll speak my mind. But not here. Come...
Watcher leads the cameraman down the path and through some cherubs to another clearing. Watcher sits down on a bench and sighs. The cameraman stands a few steps behind the bench, as if trying to decide something. Watcher cranks his head around after a few seconds, looking at the cameraman and waving him around. The cameraman hesitates for another few moments before complying. He films Watcher sitting on the bench, front and center of the shot, looking at the ground with his arms at his knees, hands clasped.
Watcher: There have been a series of events coming to a head in the NWL as of late. I haven't lost sight of those happenings, but there have been certain circumstances brewing around my own presence....and they have taken precedence for myself. That's not to say that I've neglected to see what Karl Brown has said recently. I have a radio, after all. It's also not to say I haven't been thinking about this coming match, because I have. In fact, that is part of the reason for my recent, prolonged silence.
Watcher turns his head from side to side. A cracking sound is heard each time he reaches the pinnacle of each turn. Watcher then looks up.
Watcher: This is a pivotal week in the WLS. This match is one of two that will be watched very closely by all. But it might not be why you believe, or why Karl Brown believes. It is not because I'm coming off of my first loss, no longer undefeated. Nor is it because Karl Brown is coming off of a draw against Maelstrom. Nor, even, is it because we are both the supposed "rookie sensations" of the NWL....or the wrestling world, so far this year. No....none of those things has to do with why I see this week as being pivotal in the WLS. Rather, it has to do with the end. The finale of this series. If you take a look at the records of each person in the series right now, you'll know what I mean. For myself....this week is more important than any other. It dwarfs any of my matches thus far. If I lose this match....then I am out of the running. My goal of becoming NWL Champion will be cut short. Unless, that is....unless Dakota Smith loses his match with Lars Magellan. That will not be an easy task for Magellan, but he is not in the WLS because he got lucky. He earned his spot just as the rest of us did. So if Magellan finds victory against Dakota Smith...then I will still be in the running either way.
Watcher pauses and looks down at the park path pavement again...and lets out a momentary laugh.
Watcher: Rarely have I ever rested my fate in the hands of another. Yet, if I lose to Karl Brown, I will be doing just that. I will be banking my hopes on Lars Magellan defeating Dakota Smith, to preserve my own chances. And that's not something I'm comfortable with doing. I've come too far...survived too long to let myself be put in that position. So....
CM: ....so..?
Watcher looks back up, voice rough but calm.
Watcher: Karl Brown. That leads me to think about the challenge you present me. There is no doubt that you have accomplished something already in your career. Lately, being able to make it to the WLS, and then go to a stalemate with Maelstrom has certainly proven how dangerous you can be. You are not dangerous in the same way as Maelstrom...you are not as aggressive. People have noted the subtle threat you pose. I know its presence. Dakota Smith knows it. Maelstrom knows it. But few have been able to do much about it. Through it all, however....you refuse to fully acknowledge what you are capable of. This is shown by your claim that the Mortal Sin, if locked onto you, would probably defeat you...and the fact that it didn't. You can talk about what's on paper and how you don't "plan" on losing....but what I see in you, that I don't see in Maelstrom...or Dakota Smith...or even Lars Magellan...is that you lack definitive answers to the questions in front of you. Questions about who you are facing...how much you believe what you say...and how much you are influenced by others. I won't answer these questions for you...it's pointless for me to give you anything. I have my own questions to answer. But when it comes to the match at hand, I make sure to have my answers. For instance, I don't find myself questioning whether I truly am confident in myself...capable or not of beating an opponent. Some might say I'm arrogant in that sense...claim I'm looking too far into my previous matches. I'm not. I don't feel I'm the best in the world. Among other things, my mentor has taught me discipline. But if your last match showed one thing about Karl Brown, it's that he is not so aware of his limits...as you say you are.
Watcher lifts his legs up and crosses them while sitting on the bench.
Watcher: Still....there is a short list of people I would be more wary of to face, and more quick to prepare for. You can be sure that I'll be ready for this match, Karl. I have everything to lose, and nothing to gain this week. The only thing I am granted, in victory, is the survival of my chance to win the NWL Heavyweight Championship. But in the end, there is nothing gained in that...it is only breaking even. If that is all I can achieve this week, though, then that is what my sights are set on. That is all I can do.
Watcher pauses again, looking away, seemingly in thought. After a brief silence, he speaks, still looking adrift.
Watcher: The past is a powerful element, Karl. It does indeed play a role in the present, in the ring and out. You may not think that previous wins and losses affect the current situation, but that is not the case. Our previous wins and losses hold all the meaning of this series, and leave us on a delicate balance...some in more delicate positions than others. One-by-one, people will fall out of this balance, out of contention. And if you don't watch out, Karl...this match may seal your chance at winning this series. For all your studying and ability to deal with losing, all your planning...can you truly accept that fate, Karl -- elimination from the WLS -- and sit satisfied with what you accomplished? I only wish I could...it's a luxury to be able to. But Karl...I can't stop now. I can't let this chance to win the NWL Heavyweight Title pass me by. I don't feel as you do, that I can seek out another chance to win this title. I can only persue this one, and succeed in my mission. I don't have the luxury of hoping I can accomplish that goal, as you do, Karl. I can only accomplish it. I have no choice to make...I can only win the Wrestling League Series. I can only be the first NWL World Champion. It's the only path I have left to walk.
Watcher begins to get up from the bench, when someone emerges from the shadows behind him and grabs him. Watcher must have heard the guy coming up from behind, because he managed to slip his hands between the guy's arms and Watcher's own neck. Even so, the person has Watcher in a predicament. The cameraman is taken off guard, gasping. It's one of the homeless people. He sounds muffled as he struggles with Watcher. The guy must have teeth missing that affect the sound of his voice.
Homeless: You're the one with luxury...son of a (BLEEP)! I've been here for how long? (BLEEP)! I don't remember!
Watcher stops struggling as much, but his hands remain blocking the homeless man from completely choking the life out of him. More of the homeless strangers come near the bench, and Watcher's eyes peer around at them as the one who struggles with him continues.
Homeless: But you come here, sleep for a night or two and now LOOK! You've got a guy looking for you. LOOKING for you! In all my time here, I've NEVER had anyone come LOOKING for me!
The man starts breaking down and crying, but his grips remains firm as he tries to tighten it around Watcher's neck. Watcher resists and the man becomes more agitated.
Homeless: WHY DO THEY COME LOOKING FOR YOU!!
Watcher makes a gasping sound, trying to get air, but manages to respond.
Watcher: I'm sorry.
Homeless: Sorry...SORRY! Who are you to come here and bring someone LOOKING FOR YOU! And now YOU'RE SORRY! SORRY!
Watcher: Yes...I'm sss...sorry. I didn't mean to draw any...any...attention to my--
Homeless: SHUTUP! SHUTUP YOU SON OF A (BLEEP)! YOU'RE NOTHING! NOBODY! I'm gonna (BLEEP)ING KILL YOU FOR IT!
Watcher: I...can't...let...you...
As if he was holding back, Watcher instantly breaks the grip of his assailant. He snaps up onto the bench and reaches back, grabbing the head of the man, and brings him flying over the bench. The guy hits the bench on his back and then slides off, wincing in pain but looking otherwise unharmed. The rest of the people back away while Watcher looks at them, standing on the bench. The cameraman, who didn't do a thing to help Watcher while he was being attacked, also steps back. Watcher steps off the bench and looks around at the people again.
Watcher: I'm sorry.
Watcher then begins walking past them, onto the park path. The man who was flung down by Watcher gets back up, looking dazed but livid. He takes up a beer bottle that some litterer had left on the grass. Watcher doesn't see the man come behind him, but turns as the man steps onto the pavement and approaches.
SFX: CRACK!!
The shattered glass of the bottle lands on the pavement. Moments later, Watcher follows, falling to all fours. His bottle wielding assailant is ranting. The cameraman doesn't move, nor do the other homeless people. The only one who does is the now crazed homeless man. He drops the bottle and begins beating on Watcher. Nobody follows his lead. Watcher is soon kissing the pavement as his body lies on it. The homeless man beats him with his flailing limbs, thin as they are. The flick of a blade being released is heard. Those gathered look at the cameraman, some yelling out.
CM: You beggars get the hell out of here.
They all look stunned, except the one beating on Watcher. He continues his assault.
CM: I said GET OUT OF HERE IF YOU VALUE YOUR PATHETIC LIVES!!
Most of the people move back. The one next to Watcher drops down to his knees and clenches his hands around Watcher's throat, squeezing. The cameraman sets the camera down, facing the scene, and walks up to the man and Watcher.
CM: You too!
The "cameraman" lunges downward, plunging the knife into the homeless man. After a second or two more, the man stops choking Watcher. The "cameraman" is seen twisting his hand that holds the knife.
CM: You did real good for me. Now I have less work ahead of me. But you're a nuisance now. Go away.
The homeless man tries to speak, but chokes up. He falls back, and the "cameraman" removes the knife. A man can be seen walking towards the scene. The "cameraman" sees him as he bends down to take Watcher's pulse, but curses as he sees this other person approaching quickly. The "cameraman" only has enough time to wipe the knife handle off on the shirt of the homeless man and leave it there before grabbing the camera and moving into the nearby brush. The camera stops moving once its owner is in sufficient cover of darkness, and the shot focuses on this other person who walks onto the scene. His features are indistinguishable. He has a blue hat on his head, and a black leather coat and gloves concealing any other clothing. The homeless people have also scattered, taking the injured assailant of Watcher. This man looks over Watcher, spotting the knife, and looks around and in the direction of the "cameraman," but doesn't seem to see anyone. Once the man looks back at Watcher, the "cameraman" backs off and the shot cuts out. Fade out.